RottenTomatoes is collecting every new Certified Fresh movie into one list, creating our guide to the best movies of 2021. Among them you'll find blockbusters ( Shang-Chi ), documentaries ( Lily Topples the World ), awards contenders ( The Green Knight ), the cutting-edge in horror ( The Night House ). Movies achieve Certified Fresh status Torestore a world where everything is changing, Strange seeks help from his ally Wong, the Sorcerer Supreme, and the Avengers' most powerful Scarlet Witch, Wanda. But a terrible threat looms Synopsis The NFT feature is one-and-a-half minutes long and includes unreleased footage from the first shooting day of Wong's most famous work, "In the Mood for Love." byWong Kar Wai. [Cinema 4, 1998] The crowning achievement of Wong's filmography is undoubtedly his subtly passionate romance In the Mood for Love , released in 2000. The plot is spare. A man and woman, brought together in a cramped apartment building, discover their respective partners are having an affair. Joined together by circumstance. emotion. a state of arousal characterized by TayanganDrakor Love In The Moonlight episode 4 tayang pada hari Selasa 7 Juli 2020 pukul 21.30 WIB. TheOne I Love es una película estadounidense de 2014 de ciencia ficción y suspenso dirigida por Charlie McDowell y protagonizada por Mark Duplass y Elisabeth Moss. These touches give a creepy horror-movie perspective to the point of view. ver online the one i love 2014 castellano ~ ver pelcula onlinepletamente gratis the one i love somosmovies oficial . The main character is still stuck to Iwould like to start at the end: Fa yeung nin wa's (In the Mood for Love) male lead, Chow Mo-wan (Tony Leung Chiu Wai), whispers a secret into a hole in one of the stone walls of the ruins of Angkor Wat in Cambodia.As he leans toward the wall, his mouth murmuring inaudibly into the crevice, the camera glides around him, and the film's haunting theme song fills the otherwise silent space BHGI. Álbuns ÚLTIMASBLACKPINK estreia no topo da parada britânica de álbuns com "Born Pink" • Adele esbanjando charme para a revista ELLE e muito mais nas imagens da semana • Benny Blanco reúne BTS e Snoop Dogg na dançante "Bad Decisions". Escute com a letra • Anitta é indicada pela primeira vez ao VMA 2022. Confira a lista completa! • Jared Leto com Jason Momoa na Espanha e muito mais nas imagens da semana • ESTAÇÕESO Melhor de BTSBTS, Coldplay e mais...Top 50 InternacionalBTS, Justin Bieber, Beyoncé, Ed Sheeran e mais...LançamentosBTS, Coldplay, Justin Bieber, Ed Sheeran e mais...Festa de Ano NovoBTS, Coldplay, Justin Bieber, Beyoncé e mais...MTV MIAW 2018BTS, Eminem, Taylor Swift, Imagine Dragons e mais...Retrospectiva 2021BTS, Coldplay, Justin Bieber, Beyoncé e mais... In The Mood For Love Hong Kong, 2000 5/5 Feelings can creep up just like that. I thought I was in control. RottenTomatoes 90% IMDb 8,1/10 Metascore 85/100 NikenBicaraFilm 5/5 Rated PG Genre Romance, Drama, Art-house Directed by Wong Kar-wai ; Produced by Wong Kar-wai ; Written by Wong Kar-wai ; Starring Maggie Cheung, Tony Leung ; Music by Michael Galasso, Shigeru Umebayashi ; Cinematography Christopher Doyle, Mark Lee, Ping Bin ; Edited by William Chang ; Distributed by Universal Pictures US ; Release dates 29 September 2000 ; Running time 98 minutes ; Country Hong Kong ; Language Cantonese. Shanghainese Story / Cerita / Sinopsis Mengambil lokasi di Hongkong di tahun 1962, In The Mood For Love bercerita tentang kedua orang yang sudah menikah, Mrs. Chan alias Su Li-Zhen Maggie Chung dan Mr. Chow Tony Leung yang hidup bertetangga dan kemudian mengetahui pasangan mereka masing-masing berselingkuh. Keduanya lalu menjalin pertemanan, sebelum lambat laun menyadari bahwa keduanya saling menyimpan perasaan. Review / Resensi Perlu diketahui terlebih dahulu bahwa saya nggak cukup familiar dengan film-film Asia baru-baru ini aja saya aware bahwa Asia ternyata bisa bikin film yang bagus, selama ini saya terlalu American-minded. Belum pernah nonton film-film Wong Kar-Wai, namun nama beliau sudah sering saya dengar setiap ada yang menyebut best Asian director. In The Mood For Love adalah salah satu film Wong Kar-Wai yang sering disebut-sebut sebagai salah satu karya terbaiknya dan bahkan baru-baru ini menduduki peringkat ke-2 dalam daftar film terbaik abad ke-21 versi BBC nomor 1-nya Mulholland Drive, and to be honest I'm not really understand why people loves Mulholland Drive that much. Dibintangi oleh Maggie Cheung dan Tony Leung, In The Mood For Love bercerita tentang Mr. Chow Tony Leung dan Mrs. Chan Maggie Cheung yang hidup bertetangga di sebuah apartemen. Keduanya kemudian mengetahui bahwa pasangan masing-masing berselingkuh satu sama lain, dan hal ini membuat mereka lalu menjalin hubungan lebih dekat daripada sekedar tetangga. Namun keduanya memutuskan untuk menjalin hubungan platonik, karena - terutama Mrs. Chan, tidak ingin menjadi seperti pasangan mereka yang berselingkuh. Tanpa disadari dan pastinya sudah bisa ditebak, keduanya lalu saling jatuh cinta. Oke, harus diakui tempo lambat film ini membuat saya awalnya menonton sambil "nyambi" mainan handphone dan ini adalah keputusan yang buruk. In The Mood For Love adalah art-house movie, dan buat saya menonton art-house movie suka bikin pegel sendiri dan membutuhkan semacam mood dan strong determination dari awal supaya gag ngantuk di tengah-tengah film. In The Mood For Love bukan film yang bisa ditonton tanpa konsentrasi, karena penyampaian Wong Kar-Wai mengenai konflik emosional sang karakter dan plot ceritanya disampaikan dengan cara yang sangat subtle dan cenderung less-dramatic. Editingnya juga agak putus-putus sehingga kadang kamu bingung timeline antara satu adegan dengan adegan lainnya. Saya sendiri harus memperhatikan detail-detail kecil sebagaimana yang Su Li-Zhen katakan dalam salah satu scene "you notice things if you pay attention, seperti baju yang dikenakan Mrs. Chan atau dasi yang dikenakan Mr. Chow untuk tahu bahwa antar satu adegan dengan adegan lainnya ada di waktu yang berbeda. Demikian pula dengan setting tempatnya saya harus memperhatikan detail-detail kecil seperti furniture yang ada. Ketika film telah selesai pada percobaan menonton pertama kali yang disambi mainan handphone saya akui saya sampai harus nonton dua kali, saya nggak terlalu dapet kesan yang memuaskan mengenai film ini. Namun ketika menonton untuk kali kedua, ketika konsentrasi saya benar-benar tercurahkan untuk menonton filmnya dengan lebih memperhatikan detail-detail kecilnya, pada akhir film saya akhirnya memahami betapa indah dan sedih-nya In The Mood For Love. Tentu, pada akhir film saya menemukan mata saya berkaca-kaca. It really broke my heart. In The Mood For Love is a perfect movie about unrequited love. Mungkin ini sedikit spoiler, tapi biarlah, Pesona In The Mood For Love ada pada bagaimana Wong Kar-Wai menyampaikan kisah cinta yang menyedihkan ini melalui sinematografinya, properti dan tatanan pendukung visualnya, hingga scoring music dari Michael Galasso dan Shigeru Umebayashi yang sarat melankolia. Menonton In The Mood For Love bagi saya seperti menonton visual poetry, dan ini jelas bukan puisi cinta yang manis. Ending scene-nya yang melibatkan Ankor Wat, kala Mr. Chouw membisikkan rahasia perasaan cintanya, adalah momen yang bagi saya paling mempesona sekaligus menyedihkan. Sinematografi yang menawan, alunan musik yang indah dan sendu, serta dinding kokoh Ankor Wat yang menjadi saksi bisu ungkapan perasaan cinta dan rindu Mr. Chouw - ah it just a perfect end scene that make me cry a lot. Beneran lho, it dragged me down emotionally. Bagi sebagian orang, kisah cinta antara kedua manusia ini mungkin terasa sangat "bodoh", because they don't fight for their love dan kesannya terlalu mendayu-dayu. Namun In The Mood For Love mengambil waktu di Hongkong pada tahun 60-an, sehingga situasi sosial yang konservatif masih sangat kuat membuat langkah keduanya untuk bersatu sangat berat terlihat dari bagaimana gosip-gosip tetangga kepo yang menghakimi orang lain. Melalui secuplik percakapan singkat, kita juga mengetahui bagaimana keduanya menghadapi problematika rumah tangga mereka, Mr. Chouw yang mencoba untuk tidak terlalu memikirkannya dan lebih berkonsentrasi pada proyek mengerjakan novel martial-arts-nya, sedangkan Mrs. Chan sendiri lebih memilih mempertahankan pernikahannya dan lebih menjaga jarak dengan Mr. CHow karena tidak ingin melakukan hal yang sama dengan yang dilakukan suaminya. In The Mood For Love adalah film yang mencoba menyampaikan bahwa marriage is hard, infidelity hurts, love is complicated, and revenge for your spouse's cheating is not that simple. Saya cukup tertarik juga mengenai bagaimana Mr. Chan dan Mrs. Chouw pasangan masing-masing kedua tokoh utama tidak pernah ditampilkan wajahnya, membuat emosi penonton kepada pasangan yang selingkuh ini nyaris datar. Tidak ada pula mengenai penggambaran karakter keduanya, membuat kita sama-sama bertanya-tanyanya dengan kedua tokoh utamanya mengenai bagaimana atau mengapa mereka bisa berselingkuh. Overview In The Mood For love is a bitter romance story and wonderful movie about unrequited love. and is literally makes you in the mood for love. Menonton In The Mood For Love seperti menonton sebuah visual poetry yang disampaikan dengan subtle dan melankolis. Cukup melelahkan untuk ditonton penonton awam, namun sangat sepadan. Visual dan sinematografinya sangat menawan, dukungan scoring music-nya juga begitu indah, dan Tony Leung yang anyway kok kayaknya di mata saya mengingatkan saya dengan Ibas anaknya SBY haha dan Maggie Cheung juga bermain dengan baik. They are in the mood for love, but not in the time and place for it. They look at each other with big damp eyes of yearning and sweetness, and go home to sleep by themselves. Adultery has sullied their lives his wife and her husband are having an affair. "For us to do the same thing," they agree, "would mean we are no better than they are." The key word there is "agree." The fact is, they do not agree. It is simply that neither one has the courage to disagree, and time is passing. He wants to sleep with her and she wants to sleep with him, but they are both bound by the moral stand that each believes the other has taken. You may disagree with my analysis. You may think one is more reluctant than the other. There is room for speculation, because whole continents of emotions go unexplored in Wong Kar-wai's "In the Mood for Love," a lush story of unrequited love that looks the way its songs sound. Many of them are by Nat King Cole, but the instrumental "Green Eyes," suggesting jealousy, is playing when they figure out why her husband and his wife always seem to be away at the same times. His name is Mr. Chow Tony Leung Chiu-wai. Hers is Su Li-zhen Maggie Cheung Man-yuk. In the crowded Hong Kong of 1962, they have rented rooms in apartments next to each other. They are not poor; he's a newspaper reporter, she's an executive assistant, but there is no space in the crowded city and little room for secrets. Cheung and Leung are two of the biggest stars in Asia. Their pairing here as unrequited lovers is ironic because of their images as the usual winners in such affairs. This is the kind of story that could be remade by Tom Hanks and Meg Ryan, although in the Hollywood version, there'd be a happy ending. That would kind of miss the point and release the tension, I think; the thrust of Wong's film is that paths cross but intentions rarely do. In his other films, like "Chungking Express," his characters sometimes just barely miss connecting, and here again key things are said in the wrong way at the wrong time. Instead of asking us to identify with this couple, as an American film would, Wong asks us to empathize with them; that is a higher and more complex assignment, with greater rewards. The movie is physically lush. The deep colors of film noir saturate the scenes Reds, yellows, browns, deep shadows. One scene opens with only a coil of cigarette smoke, and then reveals its characters. In the hallway outside the two apartments, the camera slides back and forth, emphasizing not their nearness but that there are two apartments, not one. The most ingenious device in the story is the way Chow and Su play-act imaginary scenes between their cheating spouses. "Do you have a mistress?" she asks, and we think she is asking Chow, but actually she is asking her husband, as played by Chow. There is a slap, not as hard as it would be with a real spouse. They wound themselves with imaginary dialogue in which their cheating partners laugh about them. "I didn't expect it to hurt so much," Su says, after one of their imaginary scenarios. Wong Kar-wai leaves the cheating couple offscreen. Movies about adultery are almost always about the adulterers, but the critic Elvis Mitchell observes that the heroes here are "the characters who are usually the victims in a James M. Cain story." Their spouses may sin in Singapore, Tokyo or a downtown love hotel, but they will never sin on the screen of this movie, because their adultery is boring and commonplace, while the reticence of Chow and Su elevates their love to a kind of noble perfection. Their lives are as walled in as their cramped living quarters. They have more money than places to spend it. Still dressed for the office, she dashes out to a crowded alley to buy noodles. Sometimes they meet on the grotty staircase. Often it is raining. Sometimes they simply talk on the sidewalk. Lovers do not notice where they are, do not notice that they repeat themselves. It isn't repetition, anyway-it's reassurance. And when you're holding back and speaking in code, no conversation is boring, because the empty spaces are filled by your desires. Roger Ebert Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism. Now playing Film Credits In the Mood for Love 2001 Rated NR for thematic elements and brief language. 97 minutes Latest blog posts about 3 hours ago about 20 hours ago 1 day ago 1 day ago Comments I'm In The Mood For Love I'm in the mood for love simply because you're near meFunny but when you're near me, I'm in the mood for was in your eyes, bright as the stars we're under,Or is it any wonder, I'm in the mood for stop to think of whether this little dream might fade,We'll put our hearts together - now we are one, I'm not there's a cloud above, if it should rain, we'll let for tonight forget it, I'm in the mood for love. Estou a Fim de Amar Estou a fim de amar simplesmente porque você está perto de mimEngraçado que, quando você está perto de mim, eu estou a fim de amarO paraíso estava em seus olhos, brilhante como as estrelas sobre não é de se admirar, Eu estou a fim de amarPor que parar para pensar se esse sonho pode desaparecer?Uniremos nossos corações - agora nós somos um. Eu não tenho há uma nuvem acima, se vai chover, não nos importaremosPor hoje à noite esqueça isso. Eu estou a fim de amar. Best summary PDF, themes, and quotes. More books than SparkNotes. In the Mood for Love Summary It is the year 1962 in Hong Kong, thirteen years after the establishment of the People's Republic of China under the leadership of Mao Tse-tung, the same year Mao proposed the Socialist Education Movement that would be a major precursor to the Chinese Cultural Revolution. At this time, Hong Kong is seeing an influx in migration of mainlanders to the island, particularly those wary of political upheaval. The film begins in the bustling apartment of Mrs. Suen, who is engaged in a spirited conversation with her neighbors and mahjong partners, the Koos. A young married woman named Su comes to Mrs. Suen about the room she has listed for rent in her apartment. Su is inquiring on behalf of herself and her husband, who frequently travels for work. They're looking for a place to live in Hong Kong. Mrs. Suen rents Su the room. As Su is leaving, a young man, about her age, comes to Mrs. Suen's door. He's inquiring about the same classified ad. His name is Chow. Mrs. Suen tells him that she just rented the room, but that he should speak to Mr. Koo next door; he has a room to rent, because his son has just gotten married and moved out of the apartment. Shortly after this encounter, Chow and Su move into their respective rooms. Move-in is made even more hectic and claustrophobic due to both couples moving in on the same day, at the same time. Neither Chow's wife nor Su's husband is present for the move-in. The movers keep accidentally switching items, bringing Chow's things to Su and vice-versa. Once they're all moved in, Chow and Su encounter one another in the alley and by the noodle stalls, where they both often get dinner for themselves, in the frequent event that their spouses are working late. Life goes on as usual for a time—Su works as a secretary to a businessman named Mr. Ho; Chow works as a reporter for a Hong Kong newspaper. The Suens and Koos are dazzled by the things Su's husband sends and brings home from his travels in Japan, particularly an electronic rice cooker. He brings one back for Mrs. Suen and Chow. He also brings back fine gifts for Su's boss, Mr. Ho. Specifically, the gifts are for Mr. Ho's wife and mistress. Su logistically facilitates Mr. Ho's affair by scheduling dates with his wife and mistress, making sure he has gifts for them on special occasions, and making sure the wires never cross, that both women are happy, and that Mrs. Ho never hears about his mistress. As the weeks go by, it becomes clear that Chow's wife is lying about where she is. One night, when she tells him not to wait up, that she'll be late home from work, Chow shows up at her workplace to take her out to dinner. Another person who works there tells Chow that she left early that day. Then, one afternoon, Su hears her husband's voice coming from the Suens' apartment. She knocks on the door, and Chow's wife answers. Chow's wife claims to be home alone after calling in sick from work. Su leaves the apartment, but cries to herself in the shower because she knows her husband is having an affair. Soon after Su's husband leaves for Japan, Chow's wife also leaves for Japan, supposedly also for work purposes. One night, Chow asks Su to join him for dinner at a nearby diner. He asks her out on the pretense of wanting to know where she got her handbag so that he can purchase his wife one for her birthday. Su tells him that she'd have to ask her husband, since he got it for her in Japan. They don't sell them in Hong Kong. Then Su asks Chow where he got his tie, and he tells her the same thing she told him about the bag—his wife got it for him in Japan. Su admits that her husband has a tie just like it, and Chow admits that his wife already has the same type of handbag that Su has. They both recognize that their spouses are having an affair with one another. After they leave the restaurant, they start to theorize how the affair began. Then they decide to start roleplaying their spouses, in order to play through some possible scenarios. They start to see each other more often, meeting at the restaurant, each pretending to be the other's spouse. In the course of doing this, they become close companions. Chow shares with Su his dream of writing a martial arts serial for newspapers, and she encourages him to do it. They end up working together on a serial in their spare time. But as they spend more time together—covertly, so as not to provoke rumors—Mrs. Suen takes notice of Su's general absence from the house. She lectures Su about being out too much and not spending enough time with her husband. She suggests that Su should try to prevent him from traveling so much in the future. After being shamed and lectured, Su pulls away from Chow, but Chow doubles down and gets an apartment in another building where they can work together in peace, without the prying eyes of their neighbors. At first, Su rejects the idea, but eventually she visits him at his new place, and they continue work on the serial. But after a while, Chow can no longer deny his feelings for Su. Recognizing that she will never leave her husband to be with him, he asks Su if she would set him up with a ticket to Singapore. His colleague at the newspaper, Ping, told him that the Singapore Daily is short-staffed and looking for reporters. Su asks him why he's rushing off to Singapore, and he admits that while it was never his intention to fall in love with her, he has, and that if she is unable to be with him, there's really nothing keeping him in Hong Kong. He says he needs a change of scene. But before he leaves, he asks her to rehearse their final goodbye, just as they rehearsed their confrontations of their spouses. While rehearsing, Su weeps into Chow's arms. It's clear at this juncture that their relationship has transformed into something genuine, far more than the roleplay as which it began. Three years pass by after Chow leaves for Singapore. Su visits Mrs. Suen's apartment in Hong Kong and finds Mrs. Suen in the middle of packing the place up. She's leaving for the United States to help her daughter raise her children. Suen admits that she doesn't want to leave Hong Kong, but her daughter is bothered by the political situation there, and that if she likes it in the she may never return. Su expresses interest in renting the apartment. She then asks if the Koos still live next door, and she holds back tears when Mrs. Suen reminisces about the times past, clearly thinking of her time spent with Chow. Some time later, Chow visits the Koos' old apartment to see if they still live there, but the man who answers the door tells him that they've been gone for a while. He says that everyone is leaving to escape the chaos of Hong Kong. When Chow asks whether Mrs. Suen is still in the apartment next door, the man says the same thing, but tells him that a young woman lives there with her son. Chow looks through the window and smiles, understanding that his relationship with Su is something that permanently lives in the past. The film then cuts to documentary footage of Charles de Gaulle visiting Cambodia, being greeted by the royal family at the time, calm and order just before a long period of unrest and war in Cambodia. The scene then moves to the temple, Angkor Wat, where Chow whispers a secret into a small hole in the temple wall. Afterward, he fills the hole with soil, enacting the ritual of burying secrets that he described to Ping in a restaurant in 1963, three years earlier. The film ends with sweeping shots of the vacant temple and a title card ruminating on the end of eras and times past.

in the mood for love sinopsis